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Chris Blankenship
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You've selected:
Chris Blankenship
Sheetmusic to print
5 sheet music found
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1
Christmas Time Is Here for Brass Quintet
Christmas Time Is Here for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Christmas
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Vince Guaraldi
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Christmas Time Is Here for Bra
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SheetMusicPlus
Brass Quintet - Early Intermediate - By Vince Guaraldi. Arranged by C Blankenship. Score, Set of Parts. 7 pages. Published by C Blankenship ...
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Brass Quintet - Early Intermediate - By Vince Guaraldi. Arranged by C Blankenship. Score, Set of Parts. 7 pages. Published by C Blankenship
The Charlie Brown Christmas Classic, Christmas Time is Here, is here just in time for the holidays! This arrangement is a beginning step in the right direction for advanced middle school students or for high school brass students interested in the quintet world.
$12.99 ≈
12.12€
Symphony for Organ No. 5 - Toccata: For Brass Octet
Symphony for Organ No. 5 - Toccata: For Brass Octet
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Charles Marie Widor
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Chris Blankenship
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Symphony for Organ No. 5 - Toc
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C Blankenship
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.899600 Composed by Charles Marie Widor. Arranged by Chris Blankenship. Classical,Graduation,Rom...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 5 - SKU: A0.899600 Composed by Charles Marie Widor. Arranged by Chris Blankenship. Classical,Graduation,Romantic Period,Wedding. Score and parts. 41 pages. C Blankenship #3578365. Published by C Blankenship (A0.899600). The Symphony for Organ No. 5 in F minor, Op. 42, No. 1, was composed by Charles-Marie Widor in 1879, with numerous revisions published by the composer in later years. The fifth movement, in F major, is often referred to as just Widor's Toccata because it is his most famous piece. It lasts around six minutes. Its fame in part comes from its frequent use as recessional music at festive Christmas and wedding ceremonies. The melody of Widor's Toccata is based upon an arrangement of rapid staccato arpeggios which form phrases, initially in F, moving in fifths through to C major, G major, etc. Each phrase consists of one bar. The melody is complemented by syncopated chords, forming an accented rhythm against the perpetual arpeggio motif. The phrases are contextualized by a descending bass line, often beginning with the 7th tone of each phrase key.Blankenship's arrangement for brass octet takes advantage of the trumpets' ranges by voicing the arpeggiated motif in only these parts and allowing it to be passed back and forth (this also means that it can be customized to be performed by as few as 1 or as many as 4 trumpeters). As a tubist, Blankenship has written a very demanding bass part that is not for the faint of heart; it can be played 8va but does not present the same effect.
$25.00 ≈
23.33€
Adagio and Allegro in F minor, K. 594
Adagio and Allegro in F minor, K. 594
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Clarinet Quintet: 5 clarinets
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Chris Blankenship
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Adagio and Allegro in F minor,
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C Blankenship
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - SKU: A0.899605 Composed by Wolfgang Amadeus Mozart. Arranged by Chris Blankenship. Classical. 22...
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - SKU: A0.899605 Composed by Wolfgang Amadeus Mozart. Arranged by Chris Blankenship. Classical. 22 pages. C Blankenship #6203575. Published by C Blankenship (A0.899605). The piece was commissioned by Count Joseph Deym von Stritetz for use as a funeral mass to be played on a mechanical organ clock in the mausoleum for the recently deceased Generalfeldmarschall (Fieldmarshall) Ernst Gideon von Laudon, part of the Müllersche Kunstgalerie, the wax art gallery and organ museum of Joseph Müller (which was the Count Deym's assumed name). This displayed a casket covered with glass, through which one could view a wax figure of the Field Marshall. When the clock struck the hour, a lament was heard: a new one each week, one of which was Mozart's Adagio and Allegro.Although Mozart intended the piece to be played on a mechanical clockwork organ, he wished later that it could be played on a conventional organ. In a letter to his wife Constanze dated 3rd October, 1790, he wrote, If it were on a large clock-work with a sound like an organ, I'd be glad to do it; but as it is a thing made up of tiny pipes only, which sound too shrill and childish for me. As time passed, Mozart seemed to be content with the decision, saying later that the work and its installation in the gallery in fruitlessness and purity and compatibility to the works of art eclipses anything that anyone has ever succeeded in producing.
$9.99 ≈
9.32€
Hallelujah Chorus from Handel's Messiah
Hallelujah Chorus from Handel's Messiah
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Classical
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George Frideric Handel
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C Blankenship
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Hallelujah Chorus from Handel'
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C Blankenship
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SheetMusicPlus
Large Ensemble Choir - Level 5 - SKU: A0.899601 Composed by George Frideric Handel. Arranged by C Blankenship. Baroque. Score and parts. 81 pages. C Bla...
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Large Ensemble Choir - Level 5 - SKU: A0.899601 Composed by George Frideric Handel. Arranged by C Blankenship. Baroque. Score and parts. 81 pages. C Blankenship #4984983. Published by C Blankenship (A0.899601). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only scene taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the Hallelujah chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified by (among others) Mozart. In the late 20th and early 21st centuries the trend has been towards reproducing a greater fidelity to Handel's original intentions, although big Messiah productions continue to be mounted. (Notes provided are from the WindRep Project & Wikipedia)
$50.00 ≈
46.67€
Worthy of Worship
Worthy of Worship
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Sacred music
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Terry W York, Mark Blankenship
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Angie Wiranata
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Worthy of Worship
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Angie Wiranata
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SheetMusicPlus
Small Ensemble Cello,Flute,Violin,Voice - Level 1 - SKU: A0.967308 Composed by Terry W York, Mark Blankenship. Arranged by Angie Wiranata. Christian,Pra...
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Small Ensemble Cello,Flute,Violin,Voice - Level 1 - SKU: A0.967308 Composed by Terry W York, Mark Blankenship. Arranged by Angie Wiranata. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 2 pages. Angie Wiranata #6669119. Published by Angie Wiranata (A0.967308). A beautiful hymn arranged for flute, 2 violins, cello.
$2.99 ≈
2.79€
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1
Chris Blankenship
